We thrilled that CHIEF has been awarded the Enric Renau Mention and Permanyer! To read the full story in English go to:
On June 11, 2021, the Maharashtra state government in India took the decision to build a ropeway on the Rajgad fort (a popular trekking destination and the first capital of the Maratha Empire established by seventeenth century king Shivaji) and Ekvira Temple (temple of a Hindu deity). Thousands of trekkers visit Rajgad fort every year, yet, this decision to build a ropeway on the fort was criticized by the groups of young trekkers, mountaineers and adventure enthusiasts. It was also challenged by environment activists and ecological experts based on its potential ecological impact on the fort.
This decision has triggered a lot of social media discussions among youth in Maharashtra and petitions were signed along with letters addressed to the tourism minister of the state. The reasons behind opposing the state’s plans are cited as overcrowding, the detrimental impact on the flora and fauna on the fort, possible damage to the heritage structures and the loss of its historical significance[i].
The government has sought to give several explanations to communicate their position on this conflict. One of the explanations is that the fort would become accessible to people of all age groups. One of the ministers in the government said, “those who are opposing it are young…we need to think about all people.” Despite the opposition, the state has decided to go ahead with their plans.
This conflict between the way the State approaches heritage sites and how the youth want their heritage to be treated and preserved has become a talking point. Another important part of the discussion has been the impact this project might have on the eligibility of Rajgad, and another 13 forts, to be marked as world heritage sites by the United Nations Educational, Scientific, and Cultural Organisation (UNESCO). The nomination has been filed by the same state government. Environmentalists and ecological experts have also expressed concerns because it is an ecologically sensitive area and is part of the Western Ghats, which is a designated UNESCO World Heritage Site.
This new debate has given rise to the same old conflict between how the state is looking at Heritage as the celebration of the past relics through the predominant lens of tourism and revenue generation. On the other hand, young people are more inclined to conserve and preserve the Heritage along with the History and ecology attached with it.
Interestingly, the issue of the ropeway at the fort triggered a lot of debates, but there seems to be hardly any opposition to the ropeway or funicular railway project at Ekvira temple located near the heritage site of Karla caves. The cave complex is a protected monument under the Archaeological Survey of India and the temple is located in the remaining space. While the forts are recognised as important heritage symbols and have more of an emotional impact both in terms of history and ecology, the religious impact of the Ekvira temple seems to dominate the heritage value of the site of Karla. This is significantly seen in the silence among youths on the issue of constructing a ropeway in the cave complex as opposed to the movement against it at the fort site. Contested and diverse views are seen in terms of youth perspectives related to culture and heritage. Contestation between history and myth, heritage and religion dominates the minds of young people while recognising the significance of a heritage site. This contestation of points of view definitely requires an inclusive policy intervention.
While conducting research under the CHIEF project, the findings highlighted a disconnect between the official discourses on heritage and the sensibilities of young people. State institutions influence the understanding of culture and heritage in the public domain but at the same time there is no set pattern in terms of administration and regulations regarding the heritage sites. This often leads to such controversial decisions on the part of the government without taking the public opinion in consideration. Lack of cultural policy, especially relevant to the interests and needs of the youth limits their interaction with heritage sites. Young people are assumed as passive receivers of culture in most of the official state documents, which affects their cultural participation.
The Government initiatives related to development of heritage sites needs to be appreciated as they contribute not only to the conservation of any site but also generate economic resources. Yet, it is debatable as to how we define heritage, the need to extend its scope and a strong legislative intervention to make it more inclusive. A strong legal framework in the form of a cultural policy will surely help in achieving certain goals to enhance cultural participation.
The vision of young people and experience of senior experts can be combined to frame new ideas of cultural engagement. Young people should be involved in the decision-making and recognised as agents of the continuous process of making and remaking of culture. Formation of a city level body to give advice on issues related to the reconstruction of heritage sites, upgrading them with modern amenities, issues of aesthetics and ecology will surely lead to better decision making. It is necessary to arrive at a common point for both, the state interventions in regards to heritage and perspectives of youth towards it.
About the Authors
Dr. Priya Gohad worked as Research Associate on the CHIEF Project at SPPU-India. She holds a PhD in Archaeology. Her research interests are Heritage Management, ancient Indian history, art, architecture, culture and archaeology.
Neha Ghatpande worked as a Project Officer for CHIEF at Savitribai Phule Pune University (India). In her professional career, she has contributed to various newspapers and magazines as a journalist.
Young people involved in the CHIEF project in Georgia worked on a joint mini-project over the last two years, developing brain teasers that incorporate knowledge of cultural heritage into the built environment using street art in Tbilisi. Members of the Tsibakha board game club came up with the idea of creating a quest through the city painted onto the streets of Tbilisi. With the help of young street artists, the game has been completed. The game incorporates brain teasers about Georgian intellectuals and artists, and leads participants on a quest through Tbilisi.
Through paintings on facades, passersby can play a game by scanning the QR codes on the paintings and reading the instructions. Alternatively, interested parties can simply visit the web-page tavsatekhi.ge and find game instructions there. After solving the puzzles hidden in the street art and entering the responses online, participants are directed to a page about the Georgian artist or historical figure the puzzle and art makes references to. The artists and historical figures are people who have made significant contributions to the development of the country and its culture, but are under-appreciated in society.
The project took significant efforts. First, young members of the board game club (Giko Megrelishvili, Levan Gelashvili, and Levan Kukhaleishvili) created the idea for the quest and had several meetings with young street artists (Sandro Pachuashvili, Andro Tsikaridze, Gena Tushishvili and Ilia Dzadzamia) to brainstorm about what hints the street art should include. Then the young street artists sketched the paintings, which were submitted to city hall to receive approval to paint pre-selected facades.
After receiving permission to paint, four young street artists worked in five locations in December 2020 through March 2021. The first piece was painted by Andro Tsikaridze on Gogi Dolidze Street 18, Tbilisi. The painting is linked to Sulkhan Saba Orbeliani (writer and diplomat) and Ivane Machabeli (translator, publicist, public figure, active member of the National-Liberation Movement, and a founder of the new Georgian literary language).
Andro Tsikaridze using old Georgian letters (Photos by Tamar Khoshtaria).
Sandro Pachuashvili painted the second installation on Giorgi Mazniashvili Street 21-23. The piece is linked to Niko Nikoladze, a publicist, public figure, and mayor of Poti, a Western Georgian city. Niko Nikoladze is associated with the city’s urban planning, and the urban plan for Poti is depicted in the art.
Sandro Pachuashvili’s street art about the city Poti (Photos taken by Tamar Khoshtaria and Sandro Pachuashvili)
The third painting was done by Ilia Dzadzamia on Daniel Chonkadze Street 5. The piece is linked to Giorgi Mazniashvili, a Georgian general and one of the most prominent military figures in Georgia in the beginning of the 20th century. The painting is on two sides of a small building, and has a battleship game.
Ilia Dzadzamia’s street art “battleship” (Photos taken by Tamar Khoshtaria)
The fourth work was painted by Sandro Pachuashvili on Tsinamdzgvrishvili Street 119. This time the painting is linked to the Georgian Astronomer Ramze Bartaia.
Sandro Pachuashvili’s street art on Astronomy (Photos taken by Tamar Khoshtaria)
The fifth and final piece was the largest. Gena Tushishvili painted it in March, 2021 on Amaghleba Street 25. It is associated with the Georgian painter David Kakabadze.
Gena Tushishvili’s street art in Tbilisi (Photos taken by Tamar Khoshtaria and Gena Tushishvili)
The paintings are now complete and passersby can play the game once the website tavsatekhi.ge is fully updated and complete.
As a result of the mini-project in Georgia, young people created a game which can be played using street art in Tbilisi. The authors of the mini-project think that their idea has several positive features. First, it involves young people and enhances the cultural participation of young people. Second, it is an activity that brings together young sub-cultures (street artists and board game lovers) and requires their collaboration. Third, it has a cognitive as well as educational purpose, since it involves brain teasers as well as information about Georgian public figures and artists. Fourth, but not least, it is aimed at local residents as well as tourists and serves as an attraction for them. Finally, the mini-project is permanent rather than a one-time activity as long as the paintings are not painted over.
(1) The information on the website is being added gradually by the young people involved in the project.
About the author
Tamar Khoshtaria, is a researcher at CRRC-Georgia and is the partner team lead for the CHIEF project team in Georgia.
Over the last few decades, enthusiasm for and citizen involvement in local festivities have greatly increased in many towns and cities of Catalonia. Different generations go out to the streets to take part in festive activities. Huge numbers of people attend the traditional parades and performances by giants, fire-breathing fantasy creatures, and devils. Of these experiences, the most popular activities are those that use fire. The correfocs (fire-runs) are the most successful.
In one medium-sized city located in the conurbation of Barcelona, there is a group of “devils” exclusively made up of women – something very exceptional, as the majority of local devil groups are composed of men – that has already run for 35 years. This group of women has been studied in the ethnographic research of the CHIEF project with the aim of understanding their cultural practices, motivations, and what they have learned from being engaged in a group of only female devils.
To start with, the expression of culture promoted by the group has its roots in the Catalan culture. Since the Spanish democratic transition began in the 1970s, there has been a movement for the recovery of the traditional expressions of Catalan culture, especially local festivities, which have gained a lot of popularity within the community and have become an important part of local culture.
The diablesses is a self-organised and horizontal group, although it belongs to the city council’s network of traditional culture groups. The context of the diablesses group is found in traditional and popular Catalan culture, particularly in one of its most traditional and widespread expressions: the Festa Major (local celebration), which is celebrated annually for a series of days in every town, village and city in Catalonia. The tradition of Festa Major has been known in Catalonia since at least the 13th century, and it has evolved up to the present. The Spanish democratic transition was a turning point for the Festes Majors, as it led, among other things, to a recovery of the festivities.
What did change radically during the 1970s was the introduction of fire to the local festivities: almost non-existent until then, fire-related activities began to proliferate everywhere. Although the first written notice of “devils” in Catalonia dates back to the Dancing Talks of the year 1150, during the democratic transition period they became linked to correfocs. This was probably the greatest invention of the Catalan Festes Majors in the last quarter of the twentieth century. A correfoc (literally “run fire”) is a festive street event in which participants parade amidst and under the sparks of fireworks borne by devils, dragons and other figures of a fantastic sort. This modern creation somehow derives from the concept of recovering the age-old practice of playing with fire, which is very present in festive contexts. Although the democratic transition brought about the possibility for women to join the different popular groups as full members, this is still a controversial subject. Continue reading “Women of Fire”
We are thrilled to share with you that CHIEF members have presented a Panel at the IPSA world congress 2021. The panel was held online on July 10, 2021 and presented key findings of the CHIEF project through 6 papers about young people’s perceptions of diversity, national cultures & minority rights.
Here is the link for more information: https://wc2021.ipsa.org/wc/panel/our-lives-our-cultures-how-young-people-perceive-diversity-and-national-cultures
An empirical study in schools has demonstrated that discrimination and racism are deeply rooted problems in school structures that urgently need to be addressed. Prof. Dr. Louis Henri Seukwa, professor of Education Science at HAW Hamburg, and researcher Dr. Elina Marmer explain why and provide recommendations.
How does racism manifest in day-to-day school life and what has been done to stop it to date?
Prof. Dr. Louis Henri Seukwa: Schools are a reflection of society, which means that societal racism is also evident in schools. At the level of society as a whole, it is clear that people of colour or those with a supposed migration background are underrepresented in management positions and at the same time tend to have poorly paid jobs. We see the same picture in schools, as Hamburg’s statistics show. Relatively few students with a migration background attend Gymnasium, and they are overrepresented in Stadtteilschulen(neighbourhood schools). Studies show that these students often receive lower grades for the same performance. There are studies on racist portrayals in schoolbooks, and at the same time such issues also appear outside schools in the news, films and literature.
Unfortunately, too little has been done so far to counter this. Neither teacher training nor educational curricula include a strategy or a concept for systematically addressing the problem within the educational structure. There isn’t even a complaints body. Even the General Act on Equal Treatment (AGG) doesn’t protect students adequately. There is an absence of structurally anchored frameworks for protection and action to effectively tackle racism and discrimination. But because schools are public institutions, the political sphere does have direct possibilities to intervene. And because the requirement to attend school means that schools can reach virtually all children and youth, carefully considered measures could have a big impact.
Aston University is proud to sponsor the Culture Exchange: Diversity, Culture and Enterprise webinar. The webinar will discuss how music is promoting a positive message around culture and diversity in the city of Birmingham.
Aston colleagues Mark Smith, Executive Director of Business and Regional Engagement, Dr Patrycja Rozbicka, senior lecturer in Politics and International Relations and Professor Monder Ram OBE, Director of the Centre for Research in Ethnic Minority Entrepreneurship, will be taking part in the event. They will be joined by Ammo Talwar MBE, CEO of Punch Records and Grammy-award winning percussionist Lekan Babalola of IFA-Yoruba Contemporary Arts Trust.
Register your free place.
On a rainy Sunday in October, a group of young people had gathered in a sound recording studio in Coventry to work together on the music and song that would express their identities, their experiences of urban living, and the issues they face navigating their everyday lives in the city. The result of this collaboration is a six minute rap song track with original music and lyrics composed, written and recorded on that day. https://soundcloud.com/ourlivesourculture/on-my-mind
The production of this rap composition is part of the Participatory Action Research intervention of the Cultural Heritage and Identities of Europe’s Future (CHIEF) project, an international research project funded by the European Commission and led by Aston University (Birmingham, UK) that explores young people’s cultural identities, practices and heritage-in-the-making. The Aston CHIEF project team (Dr Ebru Soytemel and Dr Anton Popov) collaborated with young people in Coventry, youth workers and a local non-profit-organisation Media Mania in delivering a Music and Rap writing workshop to provide a platform for young people to empower them in the expression of their culture, identities and needs through the medium of music and poetry. Young people worked with a local rapper, RG The Baron, along with youth worker, Tayyaba Sadiq, to write lyrics, compose the music and record a song of their own.
The participants of the workshop shared all shared interest in music. The workshop also became a platform for cultural interaction and exchange between young people. Thus the bit for the rap was inspired by so-called ‘gypsy jazz’, played by Sebastian (age 14); he and Lubomir (age 12) also wrote the lyrics for the rap song together with rap-artist and poet RG The Baron. The music as well as lyrics of the song has direct references to the cultural backgrounds of the rappers – Slovak Roma (Sebastian and Lubomir) and British Caribbean (RG The Baron). The folk music had been framed with electric guitar played by Joe (age 22) and Ian (age 16), two local punk-rock musicians. The chorus of the rap song had a distinctive jazzy style that was beautifully sung and performed by Destiny (age 16) who had been singing since her early childhood in a local church attended by Coventry’s British Caribbean community. Continue reading “‘A Real Fusion’ of the Coventry Rap Track”
Are you aged between 14 and 25 and want to have your say, do something creative and learn new things?
THEN THESE WORKSHOPS ARE PERFECT FOR YOU!
We are holding two workshops in October with youth worker, Tayyaba, which will give YOU the chance to TELL PEOPLE ABOUT LIFE IN HILLFIELDS and the CHANGES YOU WANT TO SEE.
You can sign up by sharing photos of things that MATTER to YOU!
The workshops will also feature rapper, RG The Baron. You will learn how images, music and poetry can make your voice and ideas sound stronger.
You have until 10th October 2020 to register your interest or for more information contact Tayyaba by email at email@example.com or WhatsApp on 07415 745 208.
In one of her poems related to family upbringing and the succession of female generations in the frames of patriarchal conceptions1, Latvian poetess Ārija Elksne (1928–1984) writes:
“Audziniet labi savas meitas – Iemāciet viņām svētkus svinēt.
Cik nabadzīgas tās ģimenes, Kas tikai darbdienas zina.”2
“Raise your daughters well – Teach them to celebrate.
How poor are the families, Which know only working days.”
[Translation from Latvian mine – I. K.]
A couple of years before, my colleague quoted this poem in a conversation she held with people sharing common views and values with her: she revealed that this poem had become her large family’s motto, as she considered that women are primarily responsible for preserving and continuing traditions in a family. Continue reading “Why Celebrating Festivities Matters: The Mundane versus the Festive”
We will be hosting a panel ‘Youth and Globalization: Identities Formation and Consequences’ on 28th August. The panel, chaired by Dr. Renata Franc (University of Zagreb) and co-chaired by Dr. Roger Soler-i-Marti (Universitat Pompeu Fabra), will present some of the key findings of the CHIEF project based on large N surveys of students, in-depth interviews, field studies, and ethnographies. For further details of the event and abstract, visit the ECPR website.